In each consecutive group of three concertos, the first is a concerto for four violins, the second for two violins, and the third a solo violin concerto. The concertos belong to the concerto a 7 format, that is: for each concerto there are seven independent parts. The continuo part was printed as a figured bass for violone and harpsichord. Each concerto was printed in eight parts: four violins, two violas, cello and continuo. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. 2, only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in print. 3, is a set of 12 concertos for stringed instruments, first published in Amsterdam in 1711. 11 (Volume 2).'estro armonico (the harmonic inspiration), Antonio Vivaldi's Op. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh & Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. This edition of “La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. Some of these manuscripts stem from the music library of Johann Georg Pisendel. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. The many reprints of “La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. However, unlike the original announcement, “La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of “L’Estro Armonico” op.
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